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Projects

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Solo


ANIMÆ - solo concerto for flutes

The soul (from the Latin anima, connected with the Greek ànemos, in German "Atem", "wind") is in many religions, traditions and philosophies the vital and spiritual part of a living being, commonly regarded as distinct from the physical body. The instrument that most directly embodies and comes closest to the breath is the flute, as many ritual musical traditions indicate.  Hence the idea of re-celebrating this monodic instrument in connection with the ancient tradition through a contemporary repertoire solo program.The concert is conceived as an example of the complexity of simplicity: a single (simple) sound source opens and shows its own multiplicity of animae (an unexpected and hidden inner complexity). Animae in this sense means several facades of the soul - for example, reason, feeling, thought, will.The multiform works are images of these different facets. They translated into possible sound worlds in which the flute multiplies, splits into words, transforms into a magical object or intensifies with singing the voice of the instrumentalists.


selected repertoire written by composers B.Ferneyhough, S.Sciarrino, R.Saunders, E.Järnegard, R.Barrett, M.Bång, A.Cleare & many others. ︎contact me for details













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airborne extended

airborne extended was founded in 2013 and is a Quartett for contemporary music consisting of the instruments harp, harpsichord/keyboard, flutes, recorders/Paetzoldflutes, with and without electronics and performance. The unusual combination of these instruments give airborne extended the possibility to create a wide range of new sounds and colours that inspires both composers and the public all over the world.

︎ More info on airborne extended

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Teaching


Supporting young musicians means not only imparting the necessary and indispensable musical and technical knowledge and structuring this through method and discipline, but also, at the same time, seeking to nurture the artistic personality of each individual student. How exactly? It is of crucial importance to listen to each student with sensitivity and empathy, and to try to understand what moves and inspires them most as musicians, so that they can maintain and further develop their passion, motivation and energy for music. I wish to orient my teaching method in this direction, so as to be an ideal guide for the new generations of musicians on this educational journey.


Elena teaches as a lecturer in solo repertoire and chamber music for contemporary music at the mdw - University of Music and Performing Arts Vienna. Furthermore, since 2026/2027, she has been working as an external lecturer at the Conservatory of Music “D.Scarlatti” of Palermo as part of the Level II Master’s programme for performers and composers specialising in contemporary music.
If you are interested, please feel free to contact me.